with Galerie Neupert, Zürich, by 1936.
Private collection, Switzerland, by 1985.
acquired by a private collection shortly after January 2015;
The Klesch Collection.
R. Borghini, Il riposo di Rafaello Borghini, Florence, 1585.
D. Bodart, The Zanchi Collection, Rome, 1985, pp. 21 and 345, no. 475.
P.L. Reilly, Grand Designs: Alessandro Allori’s Discussions on the Rules of Drawing, Giorgio Vasari’s Lives of the Artists and the Florentine Visual Vernacular, doct. diss., Berkeley, 1999, p. 21.
P. Costamagna, Portraits of Florentine Exiles in Raphael, Cellini, & a Renaissance banker: the patronage of Bindo Altoviti, ed. A. Chong, exh. cat., Boston, 2003, p. 343.
A. Natali, The lady with a cameo: Ortensia de’ Bardi da Montauto, a portrait by Alessandro Allori, Florence, 2006, pp. 19 and 55.
C. Bambach, Drawings of Bronzino, exh. cat., New York, 2010, pp. 58 and 59, fig. 9.
S. Giordani in Bronzino, Artist and Poet at the Court of the Medici, eds. C. Falciani and A. Natali, Florence, 2010, p. 332, no. VII.34
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