Reni quickly became a household name for the most powerful men in Rome, such as Pope Paul V (1550-1621) and Cardinal Scipione Borghese (1577-1633).
An account book that Reni kept in Rome gives details of his career, which during the Roman years, featured conflicts with papal authorities over his work and payments. Possibly fed up by working for Roman patrons, Reni moved back to Bologna in 1614 for the rest of his life. After the death of the Carracci, he was the head of the Bolognese school and had a successful studio. This period marked the height of his career. He was still mainly painting religious pieces, and his colour refinement and handling of drapery were unmatched. By the 1630s, Reni’s painting style became looser and he focussed on the lighter colours, using original combinations of pastel hues.4
Religious compositions were what Reni did best and they can be found in some of Europe’s most significant churches, chapels and collections. They made him a famous painter across Europe in his day and inspired many other Baroque artists.5
He died in Bologna in 1642.
1. Richard E. Spear, “Reni, Guido”, last modified 2003, accessed August 20, 2020, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000071466?rskey=OZdwcQ&result=1.
2. Daniele Benati, in private correspondence, 2019.
3. Encyclopaedia Britannica, “Guido Reni”, last modified 2020, accessed August 20, 2020, https://www.britannica.com/biography/Guido-Reni.
4. Spear, “Reni, Guido.”
5. Encyclopaedia Britannica, “Guido Reni.”