Giuseppe Arcimboldo
(Milan 1525 – 1593)
winter
oil on canvas
75.5 x 56.9 cm. (30.9 x 22.4 in.)
1572
The Klesch Collection holds a complete set of Four Seasons by Giuseppe Arcimboldo.
“Arcimboldo may rightly be regarded as a virtuoso entertainer and an artificer of fantasy, but he was surely also something more. He was a learned painter with literary aspirations who was also a scrupulous imitator of nature.”
Thomas DaCosta Kaufmann, Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting, Chicago & London, 2009, p. 217.
Giuseppe Arcimboldo was born in Milan in 1527. Even though this most original 16th-century Mannerist painter is best known for his unique paintings of composite figures, he started his career designing cartoons of stained-glass windows for the Milan Cathedral. He was court painter to three generations of Holy Roman Emperors, first to Ferdinand I (1503-1564) whom he joined in Vienna in 1562, and later to Maximilian II (1527-1576) and his son Rudolf II (1552-1612) at the court in Prague.1
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Notes
1. Kathleen Kuiper, “Giuseppe Arcimboldo”, last modified 2006, accessed June 22, 2020, https://www.britannica.com/biography/Giuseppe-Arcimboldo.
2. Thomas DaCosta Kaufmann, in private correspondence, 2010.
3. Luigi Salerno, La Natura Morta Italiana (Rome: Ugo Bozzi Editore, 2014), n.p.
4. Giuseppe Arcimboldo, The Complete Works, “Biography,” accessed June 22, 2020, https://www.giuseppe-arcimboldo.org/biography.html.
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Estate of Dr. Axel Wenner-Gren (1881-1961), Sweden;
his sale; Sotheby’s, London, 24 March 1965, lots 34 (Winter and Spring) and 35 (Summer and Autumn) to Antiqua Anstalt;
with H. Terry-Engell Gallery, 8 Bury Street, London, 1965/66.
Private collection, Berlin, until 2014;
The Klesch Collection.
London, Gallery Terry-Engell, 1965-6, “Fifteen Important Old Master Paintings”, nos. 6-9, ill.
Bergamo, Galleria Lorenzelli, “Natura in Posa”, September – October 1968, nos. 3-6, ill.
Venice, Palazzi Grassi, “Effetto Arcimboldo”, 15 February – 31 May 1987 (only Winter shown).
London, Somerset, Hauser & Wirth, “The Land we Live in – the Land we Left Behind”, 20 January – 7 May 2018.
London, Christie’s, “Art Adorned”, 22 November – 3 December 2019.
Sven Alfons, “Giuseppe Arcimboldo”, Tidskrift för konstvetenskap, årg. 31, Malmö, 1957, p. 41, reproduced in black and white pp. 37-40.
T. Crombie, “The Season’s Start: Arcimboldo to Alken,” Apollo, LXXXII, 1965, n. 44, pp. 335/337.
“Notable works of art now on the market: supplement”, Burlington Magazine, vol. 107, no. 783, Dec. 1965, p. 28 and ill. in colour.
Edward Lucie-Smith, “Arcimboldo. H. Terry-Engell Gallery,” Art Review, XVII, 1965, no. 22, p. 4.
“Arcimboldo’s Seasons,” The Times, London, 16/10/1965, p. 4.
H. Terry-Engell, Fifteen Important Old Master Paintings, exh. cat., London, 1965-6.
Vingt ans d’acquisitions au Musée du Louvre 1946-1967, exh. cat., Paris, 1967-8, p. 133, n. 294.
F. Bologna, Natura in Posa, Bergamo, 1968, ill. 3-6.
A.P. de Mandiargues, Arcimboldo the Marvelous, Paris, Editions Robert Laffont, 1977; New York, Abrahams Publisher, 1978, p. 126-7 (with wrong measurements 73.6 x 61 cm, and erroneously located in a private collection in London).
Barthes R., Arcimboldo, Milan, Franco Maria Ricci editore, 1978, p. 39, ill. no. 39, 41, 43 and 45.
Barthes, “R. Arcimboldo: Le Magicien des Habsbourg”, Le Figaro, 04/04/1978, no. 5, p. 22.
Porzio, F., L’universo illusorio di Arcimboldo, Milan, 1979, p. 10.
A. Veca, Paradeisos, Bergamo, Galleria Lorenzelli, 1982, p. 291.
L. Salerno, La natura morta italiana, Rome, 1984, p.6-7, ill. no. 1.1, 1.2, 1.3 and 1.4.
A. Veca, “La parabola delle merce,” Commercio in Lombardia, Milano, 1986, p. 200.
Effetto Arcimboldo, exh. cat., Venice, Palazzo Grassi, 1987, p. 173.
A. Veca, Lombardia 1620 circa, Bergamo, Galleria Lorenzelli, 1989, pl. 1.
W. Kriegeskorte, Arcimboldo, Cologne, 2003, pp. 30-35, illustrated.
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